The Joy Luck Club
Автор: Amy Tan
Навигация: The Joy Luck Club → Waiting Between the Trees
Часть 1
My daughter has put me in the tiniest of rooms in her new house.
"This is the guest bedroom, " Lena said in her proud American way.
I smiled. But to Chinese ways of thinking, the guest bedroom is the best bedroom, where she and her husband sleep. I do not tell her this. Her wisdom is like a bottomless pond. You throw stones in and they sink into the darkness and dissolve. Her eyes looking back do not reflect anything.
I think this to myself even though I love my daughter. She and I have shared the same body. There is a part of her mind that is part of mine. But when she was born, she sprang from me like a slippery fish, and has been swimming away ever since. All her life, I have watched her as though from another shore. And now I must tell her everything about my past. It is the only way to penetrate her skin and pull her to where she can be saved.
This room has ceilings that slope downward toward the pillow of my bed. Its walls close in like a coffin. I should remind my daughter not to put any babies in this room. But I know she will not listen. She has already said she does not want any babies. She and her husband are too busy drawing places that someone else will build and someone else will live in. I cannot say the American word that she and her husband are. It is an ugly word.
"Arty-tecky, " I once pronounced it to my sister-in-law.
My daughter had laughed when she heard this. When she was a child, I should have slapped her more often for disrespect. But now it is too late. Now she and her husband give me money to add to my so-so security. So the burning feeling I have in my hand sometimes, I must pull it back into my heart and keep it inside.
What good does it do to draw fancy buildings and then live in one that is useless? My daughter has money, but everything in her house is for looking, not even for good-looking. Look at this end table. It is heavy white marble on skinny black legs. A person must always think not to put a heavy bag on this table or it will break. The only thing that can sit on the table is a tall black vase. The vase is like a spider leg, so thin only one flower can be put in. If you shake the table, the vase and flower will fall down.
All around this house I see the signs. My daughter looks but does not see. This is a house that will break into pieces. How do I know? I have always known a thing before it happens.
When I was a young girl in Wushi, I was lihai. Wild and stubborn. I wore a smirk on my face. Too good to listen. I was small and pretty. I had tiny feet which made me very vain. If a pair of silk slippers became dusty, I threw them away. I wore costly imported calfskin shoes with little heels. I broke many pairs and ruined many stockings running across the cobblestone courtyard.
I often unraveled my hair and wore it loose. My mother would look at my wild tangles and scold me: "Aii-ya, Ying-ying, you are like the lady ghosts at the bottom of the lake. "
These were the ladies who drowned their shame and floated in living people's houses with their hair undone to show their everlasting despair. My mother said I would bring shame into the house, but I only giggled as she tried to tuck my hair up with long pins. She loved me too much to get angry. I was like her. That was why she named me Ying-ying, Clear Reflection.
We were one of the richest families in Wushi. We had many rooms, each filled with big, heavy tables. On each table was a jade jar sealed airtight with a jade lid. Each jar held unfiltered British cigarettes, always the right amount. Not too much, not too little. The jars were made just for these cigarettes. I thought nothing of these jars. They were junk in my mind. Once my brothers and I stole a jar and poured the cigarettes out onto the streets. We ran down to a large hole that had opened up in the street, where underneath water flowed. There we squatted along with the children who lived by the gutter. We scooped up cups of dirty water, hoping to find a fish or unknown treasure. We found nothing, and soon our clothes were washed over with mud and we were unrecognizable from the children who lived on the streets.
We had many riches in that house. Silk rugs and jewels. Rare bowls and carved ivory. But when I think back on that house, and it is not often, I think of that jade jar, the muddied treasure I did not know I was holding in my hand.
There is another thing I remember clearly about that house.
I was sixteen. It was the night my youngest aunt got married. She and her new husband had already retired to the room they would share in the big house with her new mother-in-law and the rest of her new family.
Many of the visiting family members lingered at our house, sitting around the big table in the main room, everybody laughing and eating peanuts, peeling oranges, and laughing more. A man from another town was seated with us, a friend of my aunt's new husband. He was older than my oldest brother, so I called him Uncle. His face was reddened from drinking whiskey.
"Ying-ying, " he called hoarsely to me as he rose from his chair. "Maybe you are still hungry, isn't it so? "
I looked around the table, smiling at everyone because of this special attention given to me. I thought he would pull a special treat from a large sack he was reaching into. I hoped for some sweetened cookies. But he pulled out a watermelon and put it on the table with a loud pung.
"Kai gwa? "-Open the watermelon-he said, poising a large knife over the perfect fruit.
Then he sank the knife in with a mighty push and his huge mouth roared a laugh so big I could see all the way back to his gold teeth. Everyone at the table laughed loudly. My face burned from embarrassment, because at that time I did not understand.
Yes, it is true I was a wild girl, but I was innocent. I did not know what an evil thing he did when he cut open that watermelon. I did not understand until six months later when I was married to this man and he hissed drunkenly to me that he was ready to kai gwa.
This was a man so bad that even today I cannot speak his name. Why did I marry this man? It was because the night after my youngest aunt's wedding, I began to know a thing before it happened.
I once saw her chase…
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I was six when my mother taught me the art…
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When I was little, my mother…
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Over the next few years,…
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